Giulia is captivated by challenging narratives that have a strong artistic essence. She blossoms under stimulating collaborations and creative processes, that can improve the making of a film. She has been working at Snowglobe since 2016, where she has been involved in producing a number of feature films from both Denmark and the rest of the world. Today she works as a producer at the company.
Giulia was born in Palermo, Italy and grew up between Ohio, in the USA, and a small provincial town in the outskirts of Milan. She's been a film nerd since she can remember. Her favourite activities grow-ing up were watching films all day and staring out the window, as she dreamt herself far away.
Giulia's first meeting with Denmark was during an 8 and a half months course at the European Film College in Ebeltoft. After that, she lived in Spain, Argentina and Brazil, where she directed and produced documentaries on her own, before finding her home in Copenhagen.
She is intrigued by people’s uniqueness and quirkinesses and she loves to absorb all the inspiration she can from the world that surrounds her.
William is convinced it is his fault that the world is coming to an end. On the planet's last day, he is faced with a dilemma; Should he spend his last hours with his family, who have chosen to celebrate his disabled sister's birthday, or should he meet up with his crush, who is impatiently waiting for him at the local beach?
The poor and pregnant maid Karen slaves her days away, taking care of the imprisoned noblewoman Rigmor. Their fragile friendship suddenly presents an opportunity for a better life, when Rigmor mentions a valuable treasure buried in the forest. In hope of freedom, the two women spite their differences and attempt an escape. But can they create an alliance across class, and flee from fate?
After the death of their father, Sigurd wants to bury the hatchet and forgive his half siblings, Astrid and Jens, for how they treated him as kids. But this does not go as planned, as Astrid and Jens do not believe they've done anything that warrants forgiveness. Sigurd feels snubbed and realizes that what he actually wants is an apology but this demand only escalates an already tense situation and before long, they start to fall into old habits, revisiting childhood traumas.
While at work, the dutiful caretaker Ellis is sought out by his long-lost sister Mira. Under the guise of being in training as a caretaker, she comes with him to work. Throughout a hectic workday, they try to find each other again, through a confrontation of old traumas, open wounds, and unrequited sibling love.
Roland is a loner in the bowling alley where he works. However, as the only witness of a tragic accident, he finds sudden confirmation from his colleagues by telling them the horrifying details. Slowly he starts embellishing the story.
In a near future, where a pill can extend only women's lives by 400 years, and men everywhere lose influence as a result, we meet the now-deposed Prime Minister, Kim Harding, as he gathers a group of aggrieved men behind him in an attempt to regain power and influence. Everything is going according to plan, until Kim's disciple, the younger, angrier and more idealistic man, Karl, wins over the group and challenges Kim in an internal struggle for power and honor. Life and death.
In this absurd dark-comedy, funerals are happy and joyful events celebrating the deceased. Ole's sister has just passed away after a long battle with cancer, which calls for the usual festivities. The only problem is Ole's deep sorrow and grief, which doesn't seem to fit the occasion.
The film takes place in a near-future, where earth has punished all adults for not taking properly care of our planet. We follow a group of kids, left all by themselves in a trashed world, living day by day and trying to avoid the unknown future. The kids put all their fear into hating the adults, but what will happen when one of the kids starts to become one?
After the death of their father, Sigurd wants to bury the hatchet and forgive his half siblings, Astrid and Jens, for how they treated him as kids. But this does not go as planned, as Astrid and Jens do not believe they've done anything that warrants forgiveness. Sigurd feels snubbed and realizes that what he actually wants is an apology but this demand only escalates an already tense situation and before long, they start to fall into old habits, revisiting childhood traumas.
William is convinced it is his fault that the world is coming to an end. On the planet's last day, he is faced with a dilemma; Should he spend his last hours with his family, who have chosen to celebrate his disabled sister's birthday, or should he meet up with his crush, who is impatiently waiting for him at the local beach?
'Companion AI' is a new technology that allows for the implantation of relationships through a chip. Saga is anti-tech, lonely, and struggles to connect with others, as popular technology creates distance between people. When she reunites with her childhood friend Etta, whom she misses in her life, she sees an opportunity to rekindle a genuine and deep relationship. However, Etta herself has a 'companion,' making it challenging to reestablish their bond. This drives Saga on a journey where she must compromise and turn inward in the pursuit of a genuine relationship.
Roland is a loner in the bowling alley where he works. However, as the only witness of a tragic accident, he finds sudden confirmation from his colleagues by telling them the horrifying details. Slowly he starts embellishing the story.
An example of an evening shift at a closed psychiatric ward that starts like many others. The nurse, Emma, meets to messages of sick leaves and acute patients - and the staff have to be creative to get through the shift in the best possible way. In just 20 minutes the confidence in the system will be put to a test.